Gemma (Emma Maggi-Byers) and Mae (Julia D’angelo) spend one last night together knowing that, in the morning, their relationship will be over. Mae struggles to get through to Gemma, who does everything to cling onto what she thinks is the perfect relationship. Through manipulation and seduction, the two women try to understand how what is […]
Emma has just finished shooting a new short film written and directed by Emily Messana. The film premiers in May. Behind the scenes The Reading
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Emma played Luz in Cusi Cram’s adaptation of the Spanish Classic Fuente Ovejuna in Fall 2019. Fuente Ovejuna: A Disloyal Adaptation, 2019, School of Drama, The New School, Christina Roussos (Director), Matthew S. Crane (Scenic Design), Karim Rivera Rosado (Costume Design), Jon Degaetano (Lighting Design), Megan “Deets” Culley (Sound Design), Mitchell McCoy (Fight/Intimacy Director) Michelle Zaya Tumur (Student
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Emma Produced, Assistant Directed, and Acted as #7 in this New School of Drama Creative Cafe Lab. Directed by: Michelle Griffen
The Wolves by Sarah DeLappe Read More »
Stop Kiss by Diana Son Emma is currently set to play the role of Sara in Stop Kiss written by Diana Son and Directed by James Savage at The New School of Drama. This production has been postponed due to COVID-19 and will occur sometime in the near future. Killing Rabbits and Other Things My
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by: Emma Maggi-Byers I used to lie I still do Storytelling my parents called it Only so they could feel better I never knew why My kindergarten teacher I had her fooled grandmas as trapeze artists little brothers never born phantom ailments bandaids protecting nothing Sometimes I wouldn’t brush my teeth so I’d have a
Portrait of a Girl who is Possibly on the Edge of a Building Read More »
On Wednesday, March 15th, Iris Meeker entered the great beyond. The eighty-three-year-old is survived not by children, lovers, or even friends. She is survived by the items she so carefully curated at the Museum Of Lost Things, where she was employed for nearly seventy years. Even as a child, Iris had a curiosity for the
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I exist in the ambiguous space between generations. It’s like I walk the train-tracks that bisect the “wrong” and “right” sides of a proverbial town in the sort of romantic-comedy you might find in the deep underbelly of Netflix. I was born in 1999. I don’t remember much of it as I was trying to
“What’s your biggest pet peeve about the way that people write about your generation?” Read More »